Aug. 14th, 2021

selenak: (Wilhelmine)
[personal profile] selenak
This is an essay in an interdisciplinary anthology on the subject of violence and language from the (German) middle ages to the early modern age. As opposed to a great many of the documents we'read, it's primarily a literary analysis and argumentation, though the historical perspective comes into it as well, of course. But what this isn't, for example, is a compare and contrast between Wilhelmine's memoirs and various other descriptions of the same events, let alone an attempt to figure out what "really" happened. It is an astute analysis of how violence of different types is presented in the text, how the different kinds of violence are tied to emotion, and the cathartic experience of the writing act. Jarzebowski doesn't argue with other interpretations, though she is a bit sarcastic in the footnotes, as in: Older historians aren't free of prejudice twoards the memoirs of the sister of their victorious King. (She lists Droysen and von Ranke.) Carlyle judges the memoirs specifically in regards to their female authorship: "A human book, however, not a pedant one; there is a most shrill female soul busy with intense earnestness there. (...) It is full of istakes, indeed, and exaggarates dreadfully, in its shrill female way."

The text excerpts Jarzebowski analyses - using Annette Kolb's translation into German, which is the one currently available in paperback and in print still and based on the longest version of the Memoirs -you're all already familiar with: physical abuse by Leti, humiliation by third parties (such as having repeatedly to strip for visiting ladies from Hannover to prove she doesn't have a hunchback), verbal abuse by FW and SD, food withdrawal or bad food, drinking enforcement (I had forgotten this happens to Wilhelmine as well at one point!), isolation as punishment, and, in tandem with 18th century beliefs, various physical illnessses as the result of verbal abuse. J. points out the structure and repeated cycles typical for the Memoirs:

Verbal abuse (insults like "English canaille" or "villain of a Fritz") => physical trespasses and encroachment (i.e. for example being forced to eat or drink) => humiliationg situations (being forced to vomit, being forced to show your naked back to visitors) => threats of physical violence => attempted physical violence, which if unsuccessful (beause, say, Wilhelmine is able to avoid the stick) of which triggers more verbal abuse => physical breakdown and illness on Wilhelmine's part.

J. points out while Wilhelmine describes these cycles for both herself and Fritz, she differentiates in one key regard. For Fritz, FW actually beating him (and in front of witnesses) is crossing a line that triggers, though the underlying causes are already multiple, the escape plans becoming serious. Fritz (in Wilhelmine's memoirs; remember, this is a textual analysis) thus sees physical violence by Dad against himself as different in quality from the previous forms of violence. Whereas, J. argues, Wilhelmine does not make this differentiation. When FW succesfully hits her (i.e. in the big August return scene), this isn't presented as worse than his previous verbal abuse or the various humiliations. It's all part of the same and she responds the same. Conversely, SD not becoming physically abusive isn't presented as better, once Wilhelmine has accepted the Bayreuth marriage and SD starts with the insults in earnest.

J. also positions that while Wilhelmine as narrator has no problem describing the physical violence of Leti the governess towards herself as wrong in as many words, even there there are mixed feelings (child!Wilhelmine asks FW not to send Leti to Spandau), and of course there are in a hopeless mess re: her parents, with narrator!Wilhelmine insisting they loved her, and she loved them, and sometimes they even loved her best (yet she never provides examples for those times). Of particular interest to me was J. pointing towards two particular scenes featuring Wilhelmine's sisters. When Friederike gets married first, she gives FW attitude for the bad food etc. (remember, this triggers FW throwing plates but not at Friederike but at Fritz and Wilhemine.) And during Wilhelmine's 32/33 visit, she has this dialogue with Charlotte, after stating Charlotte badmouthed her to SD: One day, when (SD) had maltreated me again and I cried in a corner of my room, (Charlotte) adressed me: "What's the matter with you?" "I'm desperate", I said, "because the Queen can't stand me anymore; and if this continues, I'll die of grief." Charlotte then replies: "How silly you are! (...) I only laugh when she scolds, and that's the best way to handle it." "Then you don't love her," I said, "for if one loves someone, one can't be indifferent to their opinion."

J. deduces mixed feelings from narrator Wilhelmine - on the one hand, there's (barely concealed) envy for the more distant relationship the younger sibs have towards their parents, on the other, there's the need to believe that this is solely possible because they love (and are loved) less, that the sisters have given up the ability to love in order to achieve this immunity.

Quote from the end of the essay: Thus it is possible to talk of a context of emotional violence in which Wilhelmine places her experiences for the most part, and which she submits her perception of her experiences to. The atmosphere of emotional violence becomes the dominating horizon of experience in the Memoirs. Thus, Wilhelmine's Memoirs become a perspective speficially tied to her status and critical of it at the same time. Her experiences of violence happen at different places and are transformed in various stages of remembrance until finding their final form in the Memoirs, the reliving, the alteration, the reordering, and thus don't render a final result but the process of reliving the past itself. Her text shows that she's conscious of the changeability of memories and experiences while writing them. To insist on analysing it for a definite singular statement or to read the text for finate statements would mean to ignore a key quality of the partly contradictory, heterogenous and argumentative text. Her Memoirs can be understood as an attempt to render an atmosphere of emotional violence which she perceived as inescapable, with experiences and memories becoming condensed. The text of the Memoirs thus can be understood as another arena in which said violence is (re)experienced.
selenak: (Émilie du Chatelet)
[personal profile] selenak
A few notes on two books focused on Joseph II, son of Maria Theresia, not so secret fan of Frederick the Great (with an understanding of fandom that includes "going to war with" eventually), brother of Marie Antoinette, reform minded multi travellling Emperor and comic relief in Amadeus.

One is in English - Rebecca Gates-Coon: The Charmed Circle. Joseph II and the "Five Princesses", 1765 - 1790" - and one in German, Monika Czernin: Der Kaiser reist inkognito.

Young Joseph hits the road and plays marital sex counselor in France )

Five Ladies and Joseph II: How did it happen? )

A few more notes on the Five Princesses.

The Famous Five (Princesses): Who were they? )

The two male members of the "charmed circle" other than Joseph:

Orsini-Rosenberg and Lacy )


Both Orsini-Rosenberg and Lacy are bachelors. The Ladies are all married, but none of the husbands is ever allowed to attend the meetings. Joseph doesn't dislike them exactly, he just has no interest in them.

A few quotes from letters and more entertaining trivia )
mildred_of_midgard: (Default)
[personal profile] mildred_of_midgard
This exchange happened:

[personal profile] selenak: none of the three younger boys seems to have shown the initial dislike to the military education Fritz had

[personal profile] felis: Do we have an earliest mention of Fritz' dislike, i.e. what "initial" means?

[personal profile] selenak: I'll leave it to Mildred to come up with an exact date, because she's way better with numbers, but the way I recall it, the timeline is like this:

Toddler Fritz (in the stage Pesne painted him and Wilhelmine): likes military playthings and drums. Anecdotally rejects Wilhelmine's girly playthings in their favor, though I've always suspected that story was made up. All good.

Child Fritz: starts to get actual military training after being transferred out of his mother's household. Signs of exhaustion. FW starts to worry about manliness.

[personal profile] mildred_of_midgard: Not exact, but see the last part of https://cahn.dreamwidth.org/183223.html?thread=3199415#cmt3199415 (the repeated mentions of Fritz trying to prove that he totally isn't a coward anymore, starting when he is four whole years old.)

[personal profile] felis: For the toddler stage, I mostly have SD's letters for context, and she certainly keeps mentioning how interested he is in military things and how much fun he's having playing soldier, but of course she has every reason to not tell FW anything else. I see Mildred linked to my comment about said letters, which included the fact that (SD says) Fritz was trying to prove that he wasn't a coward starting age four, but I didn't really take that as a comment on Fritz' like or dislike of military things (and FW calling him one because he didn't take to them), more along the lines of Fritz being a rather cautious and timid kid in general, with the interest in toy canons and playing soldier as a way for SD to reassure FW that he's growing out of it.

*some time later*

[profile] mildred_of_milgard: Because I was on hiatus, I couldn't clarify what I meant, which was: I've read in biographies that Fritz was specifically afraid of gunfire as a child. If SD is reporting that he's playing with cannons to prove that he's not a coward any more at the age of 4, I took that to be related to his fear of gunfire.

Granted, I haven't been able to track this claim down to a primary source. So it's not quite evidence that the father/son conflicts over military matters began this early. But it's possible. And it's what I was getting at.

Tracking down the claim in Blanning led me to a 2-volume 1996 publication on the Hohenzollerns by Neugebauer, which unfortunately neither gives a direct quote nor cites its source re young Fritz being afraid of gunfire, though it *seems* to date it to about 1718 (and places it in the context of the hunt).

If anyone does know of or should come across better evidence for this claim, I would be interested.

felis cites the evidence )

What does 'joli' mean, anyway? )

Charming addendum:

[personal profile] mildred_of_midgard: I bet AW, future lover of fireworks, got off on the right foot with Dad by liking loud noises and explosions at the age of 2-3.

[personal profile] felis: Yup! Fritz and Wilhelmine on the other hand got a little grotto with a basin full of fish in July 1715 and they both liked it so much that they didn't want to go to bed: Fritz and Wilhelmine went outside to entertain themselves yesterday; in the middle of the table there was a grotto with jets of water and a basin, where there were small, alive fish which swam; they found it so beautiful that they did not want to get up and go to bed. <333

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