(Gertrud) Elisabeth Mara (Schmeling)
Jan. 21st, 2020 07:37 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
And here's a tale about another fascinating female superstar in Frederician times, for a time Friedrich's favourite singer until she, too, got the hell away from Mr. Micromanaging Everyone's Lives. Sources: various wikepedia and musical dictionary entries; Lehndorff's diaries for the background on our heroine's later husband (and boyfriend of Fritz' brother Heinrich).
( The Phantom of the Prussian Opera is there, inside your mind )
Fragmentary memoirs of Gertrud Elisabeth Schmeling Mara exist, and were printed in the „Allgemeine musikalische Zeitung“. In them, it‘s noticable she feels the need to defend her father and Mara a lot, but it's a goldmine for the musical side of Sanssouci, the concerts, and of Fritz, since she doesn't just describe her own contribution but Proporino's singing and Fritz's flute playing. (Three flute concerts every evening, together with two violins, one alto, one violincello and one piano.) "He did not play like a King but very good, had a strong, full tone and much technique.") Considering how things ended with her and Fritz, she has no reason to praise his ability unduly, so I believe her assessment. Her take on the drama with her and Heinrich‘s boyfriend, on the other hand, is somewhat different than the attitude the writers of the various biographical articles about her took.
( Mara, Heinrich and me: by Schmeling-Mara )
Addendum: ( The two Goethe poems in the original German )
( The Phantom of the Prussian Opera is there, inside your mind )
Fragmentary memoirs of Gertrud Elisabeth Schmeling Mara exist, and were printed in the „Allgemeine musikalische Zeitung“. In them, it‘s noticable she feels the need to defend her father and Mara a lot, but it's a goldmine for the musical side of Sanssouci, the concerts, and of Fritz, since she doesn't just describe her own contribution but Proporino's singing and Fritz's flute playing. (Three flute concerts every evening, together with two violins, one alto, one violincello and one piano.) "He did not play like a King but very good, had a strong, full tone and much technique.") Considering how things ended with her and Fritz, she has no reason to praise his ability unduly, so I believe her assessment. Her take on the drama with her and Heinrich‘s boyfriend, on the other hand, is somewhat different than the attitude the writers of the various biographical articles about her took.
( Mara, Heinrich and me: by Schmeling-Mara )
Addendum: ( The two Goethe poems in the original German )